This intermedia piece was created in 2004 for live performance and built in Max/MSP/Jitter. Appropriated media sources were used to explore relationships between the natural world and the evolution of technology, and to illustrate themes of collective memory, history and information-gathering. The musical score was constructed using the sounds of communication devices as its sources- Morse code, telegraphs, phone lines, film projectors, radio signals and satellite telemetry, manipulated in SuperCollider and arranged to connote birdcalls. My desire was to create a musical composition derived entirely from mechanical and electronic sounds, which possessed organic form and aural references to flight, migration and distance.
This composition was written in 2003 for a performance at the annual CEAIT festival at Cal Arts. The software instrument was written in SuperCollider and the cello part played and processed live via the software.
A suite of four A/V compositions created in early 2003 for an interactive installation driven by light sensors and a Max/Jitter instrument.